• Gems of Indian Poetry translated into English

  • Timeless Indian Poems now available in English language


Adil Jussawalla

Perennial scrapyard, magnet for the remaindered,
burning ground for ships that outlive their terms of service.

thought its working conditions are savage deplored,
I don’t want to go there now, other things matter.

On night and day are showers of light
from instruments cutting through once-buoyant life.

the sound of crushers, claws, the smell of metal
becoming liquid – all we imagined to be in another country

now blinking their warning lights in rooms close at hand
or in hospitals near or distant,

where those marked to be proceed may spend
the five years it takes or more to make a great ship

vanish, as mother spent hers, open to probes and instruments,
and may make others I dare not mention spend.

Let it be merciful I pray, with us still alive
(however faintly) to the blessings of sight and sound.

the passing of ships with all their lights on, the music at sea
others are joyously dancing to, glimpse

the sudden bight arc of a lighthouse even as it’s happening
here grappling irons hit our decks and slack cable sing as they tauten

Translated by

Women Going to Buy Bags of Milk

Indu Joshi

Wearing night gowns
At around five thirty in the morning
women going to buy bags of milk
in a half-sleep and half-awake state
put their bags of milk – if they have more
than one-
into plastic bags from saree sales or cloth bags
and return home
Some return home
holding their plastic bag of milk between
their thumb and index finger,
moving the arm back and forth
as if holding a kitten from its neck.
If she is from my compound, she greets me
with a ‘Jai Shri Krishna,’ and before I pass her
asks, “So how are you today?”
Then satisfied that she could ask the question
she moves on
not listening for an answer.

Wintry December has begun
and it is dark at five thirty in the morning.
In the bright neon lights you can see the shapes
of women wearing nightgowns from afar.
When they near, they try to recognize each other.
If one is wearing a sweater or a scarf
others squint and peer and are satisfied
only when an identification has been made
Oh! That is the no. 2 from the society next to ours.
(Watch it –
that only means the woman from house no. 2!)
In the dim light of the cabin of the dudhwali
they first identify each other
then ask for their bags of milk.

In the west – the moon before sunrise
is not in the least pale.
It is a full moon, the yellowish full moon of poonam.
A scattering of stars can been around it.
When I reach the milk cabin
a dog lying nearby looks at me
with sleep-filled eyes
and I remember that woman’s question
“So how are you today?”
Carrying my bags of milk, wearing a night gown
I also return home.

દૂધની કોથળીઓ લેવા જતી સ્ત્રીઓ
ઇંદુ જોશી

નાઈટ ગાઉન પહેરેલી ને
સવારના લગભગ સાડા પાંચ થી છના અરસામાં
દૂધની કોથળીઓ લેવા જતી સ્ત્રીઓ,
અર્ધ ઊંઘમાં ને અર્ધજાગૃત અવસ્થામાં,
જો કોથળીઓ એક કરતાં વધુ હોય તો,
સાડીના સેલની પ્લાસ્ટિક બેગ કે કપડાની થેલીમાં
મૂકી ઘેર પાછી ફરે છે.
કોઈક તો વળી પેલી બિલાડી
બચ્ચાને મોંથી ઝાલી જતી હોય
એમ એક કોથળી તર્જની ને અંગુઠાથી પકડી,
હાથ હલાવતી પાછી ફરતી હોય.
મારા ફળિયાની હોય તો
‘જે શ્રીકૃષ્ણ’ કહેશે, પછી હું પસાર થઈ જાઉં
એ પહેલા તરત પૂછશે,
‘આજે કેમ તમે ?’
અને જવાબ સાંભળવાની રાહ જોયા વિના
પ્રશ્ન પૂછી શકાયો એવા સંતોષથી
ચાલી જશે.

હમણાંથી હવે ડિસેમ્બરનો શિયાળો
શરૂ થઈ ગયો છે ને
સવારે સાડા પાંચથી છ માં
અંધારું જ હોય.
નિયોન લાઈટ્સના અજવાળે
દૂરથી ગાઉન પહેરેલી સ્ત્રીઓના ઓળા દેખાય.
પાસે આવે ત્યારે એકબીજીને
ઓળખવાનો પ્રયત્ન કરે.
તેમાંય કોઈકે સ્વેટર શાલ કે સ્કાર્ફ ઓઢ્યા હોય
તો આંખો વધુ સતેજ કરે
ઓળખાણ મેળવીને જ જંપે કે
આ તો બાજુની સોસાયટીની બે નંબરી.
(જો જો હોં ! એટલે કે બે નંબરના ઘરની એમ સમજવું)
દૂધવાળીના ગલ્લા પાસે આછા ઉજાસમાં
પહેલા એકબીજીને જુએ ને પછી
દૂધની કોથળીઓ માંગે.

પશ્ચિમ દિશામાં – સૂર્ય ઉગતા પહેલાંનો ચંદ્ર
આજે જરાય ઝાંખો નથી,
પૂર્ણ છે, થોડો પીળાશ પડતો પૂનમનો.
તારાય થોડાઘણા છે તેની આજુબાજુ.
હું દૂધના ગલ્લે પહોંચું છું ત્યારે
પાસે સૂતેલું એક કૂતરું ઊંઘરેટી આંખે
મારી સામે થોડું જોઈ લે છે ને
મને પેલી સ્ત્રીનો પ્રશ્ન યાદ આવે છે,
‘આજે કેમ તમે ?’
દૂધની કોથળીઓ લઈ,
નાઈટ ગાઉન પહેરેલી હુંય
પાછી ફરું છું.

Translated by Gopika Jadeja from Gujarati


A J Thomas

My enticing smile, alas,
Reveals only my fangs
My enamoured fondling of your
Winsome shoulder
Are but scratches with my talons
My love-burnt eyes turn
Into two blazing embers
My bosom aquiver with passion for you
Reveal only my hirsute teats!
How am I to love you Rama
With all these
Treacherous exteriors?
My love for you
Is the yearning for the eternal You
But this is how I am defined
And, you, of all people
Spurn me!
You are all-seeing, aren’t you?
How come you can’t see my
Heart burning in Panchagni
Yearning for union with you?
Your petite wife whom you call half your body and soul
Will soon turn fickle, and jump out
Of the circle your slave-brother has confined her in
On your behalf. You can’t spurn femininity
And get away with it. I am Shoorpanakha
The sole sister
Of the conqueror of heaven and earth,
Yet I fail in front of you, Rama.
The molten lava of my tears
Will engulf your epic
In flames of devastation.

Translated by


Matthew Geden

There is a woman at the sink
rinsing dishes, sunlight washes
her hair, she can hear the snip
snip of his shears trimming the border
hedge, a chocolate egg drips
in the afternoon heat, ice cubes
are melting into her gin and tonic.

She waits for the end of an era;
and it comes with a strange silence,
a stillness between this world and the next,
an ambulance breaks the spell, draws near,
pulses and wails as she drops a dinner plate.

Translated by


Stanley Barkan

(a “footnote” after Donald Lev)

I jumped off
the Brooklyn Bridge.
But I failed.
I didn't die.
The Guinness Book of World Records
called me up,
said I should try again:
If I lived,
I'd set a record.
So I jumped a third time
and succeeded.
At last I've achieved . . .

(ડોનાલ્ડ લેવ વિશે પાદટીપ)

હું કૂદી પડ્યો
બ્રૂકલિનના પુલ ઉપરથી
બબ્બે વાર
પણ નિષ્ફળ ગયો
મર્યો નહિ
ગીનીસ બુક ઓફ વર્લ્ડ રેકર્ડ્સ
-માંથી ફોન આવ્યો મને
બોલ્યા: પુન: પ્રયત્ન કરી જુઓ,
જો હું જીવી જાઉં
તો વિશ્વવિક્રમ થશે.
એટલે હું ત્રીજી વાર કૂદ્યો
અને સફળ થયો.
મને મળ્યું આખરે...

Translated by

Love song of my own

Pratishtha Pandya

I lay etherized like that evening
inside one dark hotel room
made of concrete, wood, and glass
with no doors leading outwards
no windows looking inwards
where you visit me
like the occasional fog
on a winter evening
pretty much like a cat
jumping from rooftop to rooftop
refusing to be tamed.
I rest my head for a while
on the cold but soft fur
on your chest
seeking warmth in vain
then search for the sunlight
in the yellow eyes of an electric bulb
chase my dying breath for wind
Outside on the glassy street
_women come and go
talking of Michelangelo_
You walk with all of them
Go for a coffee
with a few favourite ones
at the café across the road
next to the rainbow flower shop
All the time toying with a question
that I know
you will dare not ask
On this side of the glass
I wait
not knowing
for what
till when
I am not sure if there will be time
Time to look into your eyes
After the fog has lifted
Time to hold your hands
After the women have left
Time to walk on the open streets
After the walls are broken
Time to make sense
After questions have lost meanings
I am not sure if there will be time
To wait
To dream
To live
To make love
Time has frozen in the dark
Inside this hotel room
Without doors and windows
without a past
without a dream
This room lies etherized
on my chest in the dark
as I write this love song
for you.

Translated by the Poet from Gujarati


Stanley Barkan

Oh to be Adam
with all his ribs
yearning for a woman
as yet unborn,
mouth free
of the taste of apples,
ears without
the hiss of snakes,
mindless of
nakedness and shame
in the garden
of gentle creatures
waiting for a name.

Translated by


Manisha Joshi

Huddled in a group, the sibyls sit;
in slightly soft, and slightly loud tones
they speak, of things.
Their fists are filled with grain
which they fling high up, for birds.
To fill their beaks with grain
scattered far and further
the birds run!
The sibyls are at a game of the blind-man's-buff
and the birds
pay a visit to their homes
to gorge on all the dinner ready and covered.
Exhausted, when the sibyls return,
they shriek at the chaos of upturned bowls.
It is the birds for sure!
These all-knowing sibyls,
they know not how to curse.
By paddy-filled granaries they sit sobbing,
When they stroll along the Greek roads,
before them walks the cacophony of birds
and people cannot hear a word.
Unheard, these sibyls will perish just so.
The birds stomachs will then explode,
and O! their wailing chicks that never took wing.
People will repent this for sure.
New hands in sibyl-homes, will sprout each day,
anxiety like new moles on the body will consume them.
The sibyls will then have avenged.

*The sibyls are ancient Greek women gifted at foretelling.


સિબિલીઓ ટોળે વળી બેઠી છે.
થોડુંક ધીમેથી, થોડુંક ઊંચા અવાજે
કંઈક બોલી રહી છે.
એમની મુઠ્ઠીમાં દાણા છે.
ખૂબ ઊંચે ઉછાળી પંખીઓ પાસે ફેકે છે.
પંખીઓ દૂર દૂર વેરાયેલા દાણાઓ
ચાંચમાં ભરી લેવા દોડે છે.
સિબિલીઓ હવે આંધળોપાટો રમી રહી છે.
અને પંખીઓ જઈ પહોંચ્યાં છે, એમનાં ઘરોમાં,
ઢાંકેલી રસોઈ ખાવા.
થાકેલી સિબિલીઓ ઘેર પાછી ફરે છે.
અધખુલ્લાં વાસણો જોઈ બોલી ઊઠે છે,
નક્કી આ પક્ષીઓ!
બધું જ જાણી લેતી આ સિબિલીઓને
શાપ આપતાં નથી આવડતું.
ધાન ભરેલી કોઠીઓ પાસે બેસી એ ડૂસકાં ભરે છે.
ગ્રીસના રસ્તાઓ પર નીકળે છે તો એમની આગળ
પક્ષીઓનો કલબલાટ હોય છે.
લોકોને એમના શબ્દો કંઈ જ સંભળાતા નથી.
આ સિબિલીઓ આમ ને આમ મરી જશે.
પક્ષીઓનું પણ પેટ ફાટશે.
બચ્ચાંઓ ઊડ્યા વગરનાં રોશે
લોકો તો ખૂબ પસ્તાશે.
સિબિલીઓનાં ઘરમાં રોજ નવા નવા હાથ ઊગશે.
દરેકને પોતાના શરીર પરના નવા તલની જેમ
એની ચિંતા થશે.
અને આમ, સિબિલીઓ વેર વાળશે.

*સિબિલ : પ્રાચીન ગ્રીસની ભવિષ્યવેત્તા સ્ત્રીઓ.

Translated by Neeti Singh from Gujarati

Coming Down The Mountain

Mark Roper

You have been
where you have been
someone else,

a place of peat, pool and sky,
stripped by wind
and swept by light.

You have walked yourself
invisible, rock
your bone and motion

and you would like
to walk forever
but you have to go down.

You try to take
something with you:
a sliver of quartz

or a ram’s horn,
a special feather,
a piece of eye bright.

They soon fade,
as a pebble picked
from a lake will fade.

What’s found up there
lives only up there,
in that high air.

All you can take
is the way, each time,
you’re simplified –

the gift of long hours
spent alone
with stream and stone.

Where a raven’s call
took all your attention.

Where news of the world
didn’t rate a mention.

Translated by Poet from Irish to English

Day & Night

John Menaghan

From THE TAGORE VARIATIONS: A Series of Poems Inspired by lines from Rabindranath Tagore

Has the time come I may go in at last?
All day I’ve been outdoors in summer air.
It seemed a sin to turn my back on splendor.
As if the rising sun had laid before me
a gift from which no sane man turns away.

But now the dark, and weariness, descend.
To lie in blackness seems a kind of solace
that brilliance cannot bring, try as it might.
All day the sun embraced me like a lover,
then left me—with a craving for the night.

Translated by
The Visitors
The Air Is Still
As If You Knew
The Traveler’s Song


John Menaghan

From THE TAGORE VARIATIONS: A Series of Poems Inspired by lines from Rabindranath Tagore

Words have wooed yet failed to win her.
Deeds done for her performed in vain.
What could he say to bring her closer?
What could he do to make her care?

Asked to abandon all he loved
he would have left it far behind.
Had he known how to sell his soul
he’d happily have made the trade.

None of that mattered, not at all.
Nothing he did--or might have done.
He watches her, from far away,
move through the life she chose instead.

She made her choice, took his away.
What choice had he but to endure
and wonder now, observing her,
if she regretted it at all?

Endure? Regret? Words, words. What good
are words to him when what he’d craved
was to be at her side right now,
to live with her through all his days?

Translated by
Day & Night
The Visitors
The Air Is Still
As If You Knew
The Traveler’s Song

The Visitors

John Menaghan

From THE TAGORE VARIATIONS: A Series of Poems Inspired by lines from Rabindranath Tagore

They took their seat in a corner,
and they sat so quiet and meek.

I asked them why they’d come,
but still they spoke not a word.

I offered them food and drink,
but smiling they looked away.

What else can I offer? I asked.
And again: Why are you here?

They turned to look back at me
and sorrow flowed into their eyes.

They rose then and bowed solemnly
and backed away toward the door.

Where will you go? I cried.
Tell me before you depart.

Their sad eyes rose to the sky,
then dropped down to the floor.

Is there nothing you can say?
I need you to speak to me.

They passed beyond the door
with a smile and a wave and were gone.

I found myself all alone,
just as I’d been before

but not quite as I had been
for the room looked emptier

and something had gone with them
to wherever they’d disappeared.

I sank to the ground and wept
mourning whatever I’d lost

till a voice inside me cried:
Let the time not pass in vain!

I ceased weeping then and rose
and left that place far behind

seeking I hardly knew what
but the road and its solitude

meaning to travel until
I could hear my soul exclaim

and my body sigh under the strain
and the air fill with shouts and screams

and the harp of the road break out
in the sweet music of pain

then take myself home and sit
in the corner so quiet and meek

as sorrow flowed into my eyes
and ask myself why I had come

and who I supposed I might be
and offer myself no reply.

Translated by
Day & Night
The Air Is Still
As If You Knew
The Traveler’s Song

The Air Is Still

John Menaghan

From THE TAGORE VARIATIONS: A Series of Poems Inspired by lines from Rabindranath Tagore

The air is still
and silent about you.

It has no tale
to tell to anyone.

The secrets locked
inside your sleeping skull

cannot escape,
cannot betray you.

No breeze, no wind
carries away your story

to ears that might
receive it gracelessly,

perhaps distort it
past all recognition

to do you harm,
to tell a vicious tale.

Sleep on. You’re safe
now as you’ll ever be.

Not safe at all,
of course, for no man can

evade his end,
approaching silently.

Translated by
Day & Night
The Visitors
As If You Knew
The Traveler’s Song

As If You Knew

John Menaghan

From THE TAGORE VARIATIONS: A Series of Poems Inspired by lines from Rabindranath Tagore

Think it your good fortune
to sit perfectly still
where you are placed.

Think of the frantic times
spent wandering about
and settling nowhere.

If the time has now come
to remain where you are
it is not for nothing.

Everything that ever
happened has led to this
moment, here and now.

Out in the great beyond
a terrible chaos
rushes through the void.

But you are in this place
resplendent with silence
if only for a time.

Surrender yourself to
stillness as if you knew
what it meant to live.

As if you understood death,
though patient, lies in wait
out there . . . somewhere.

Translated by
Day & Night
The Visitors
The Air Is Still
The Traveler’s Song


John Menaghan

From THE TAGORE VARIATIONS: A Series of Poems Inspired by lines from Rabindranath Tagore

Stained with dust
he keeps himself
from the world
and is afraid
even to move.

Movement could
well imply a hope
that he might be
so much more
than simple dust.

He feels no need
to ask how he
might move this
world were he
to lose his fear.

Or does he fear
moving he’ll find
the world itself
mere dust and
nothing more?

Translated by
Day & Night
The Visitors
The Air Is Still
As If You Knew
The Traveler’s Song

The Traveler’s Song

John Menaghan

From THE TAGORE VARIATIONS: A Series of Poems Inspired by lines from Rabindranath Tagore

The traveler has to knock
at every alien door
to come to his own.

At the wayside where
shadow chases light
and the rain comes

in the wake of summer,
I sit here before my door
and I sing all alone.

Fires and shadows mingle
with the gloom of dust.
I have done all I could.

Translated by
Day & Night
The Visitors
The Air Is Still
As If You Knew


John Menaghan

From  THE TAGORE VARIATIONS: A Series of Poems Inspired by lines from Rabindranath Tagore

The horizon is fiercely naked,
still and keen and cruel.

I am like a remnant of cloud
uselessly roaming the sky.

Let the cloud of grace bend low,
take this emptiness of mine.

Float it on the wanton wind
and vanish away in the dark.

Translated by
Day & Night
The Visitors
The Air Is Still
As If You Knew
The Traveler’s Song


Stanley Barkan

Tired of naming cattle & fish,
Adam turned to the birds.
“Raven,” he said;
then “dove,”
these first creatures of the air
who’d be symbols in a later time
of rain and flood and rainbow.
Of the birds who would
sing at dawn and dusk
he had little interest;
so Eve decided to try
her onomastic skill.
“Nightingale,” she whispered.
“Ibis, heron, flamingo,
parrot, peacock, tanager,”
mystery, grace, magnificence
of thought, motion, and design.
It took a woman
to properly name
the birds of Paradise.

Translated by


Richard Berengarten

Precocious pupil, teenage layabout,
he’s played provincial brat, brash schoolboy slut,
barbarian beast, filthy louse-ridden mutt –
until piss-artist drink-mates chuck him out;
absinthe and argot mingling in his throat,
teacher’s best pet, deranged, turns foul-slanged slob,
illumination-seeker, cannon-gob,
working his passage on a drunken boat . . .
And then he’s twenty-two. And poetry stops.
And then, as if he’s cleaned up, done the cure,
and doesn’t need the hit, crack, high (or crutch?),
his previous life, he says, has been rinçures –
rinsewater, dishswirl, drainwaste, sloshmurk, slops –
yeah, been there, done that, thank you very much.

Translated by

Swinging Boats

Angela Patten

Sometimes it seems as if your life
is all about trying to balance
on a swinging boat, the painted kind
you used to love at the old time
carnival on Dun Laoghairepier.

It wasn’t Coney Island but what
did you know of foreign parts?

The helter-skelter where you slid
hell-for-leather on a burlap mat
down a winding metal chute
seemed to go on for miles
what with all the howling kids
and the general hullabaloo.

The swinging boat was gaudily daubed
in blue and yellow swirls, slung
like a cradle between two spars.

A man in a lead-colored coat
and tweed cap took your money.
Then you stepped in one end,
your sister in the other,
and you pulled on the ropes in tandem
to make the boat sway back and forth
like a clock less pendulum.

It wasn’t Venice but what
did you know of gondoliers?

Some days,caught up
in the endless round of tasks
dictated by your To Do list,
as if your frantic busyness
were a requirement for sainthood
or a penance for past iniquities,
you might be a carousel pony
galloping in everlasting orbit
or a girl clad in a secondhand frock
going nowhere fast
in a swinging boat.

Translated by

A While

Glenn Shea

Near Yangxua, Guangji Province

The light westering, the shadows playing at angles;
the abrupt round hills leap up to surround us.
Lili leads us from the village onto a footpath
into a grove. The trees are afire with fine ripe oranges,
fat wet globes of fruit. We exclaim at them,
chewing the juicy skins. All day we’ve been greeted
and waved at, known as visitors. A neighbor
drove her old blue clunker into town
to pick us up. Lili says of the village,
when there’s trouble we help each other,
and for just some moments whatever isn’t calm
and a joy goes away. We linger in it,
saying little, the green trees misting over.
The dusk comes with the first words of dark behind it,
and at last we turn to go back,
the oranges bright in our hands as lanterns.

Translated by


Shelly Bhoil

it was about then when we didn’t understand what it is
and set out into meaning-making exercises

                                  i gently stole a strand of hair from my class-
                                  mate’s blazer and pulled one mine to juxtapose
                                  the two in sunshine. a few more strands got
                                  pulled and stolen. then my head scratched to not
                                  understand how some hair could be ‘thin’ and
                                  some not!

my talkative twin chased words that danced on elders’
lips and struggled to speak every split second their lips
sealed that she should be speaking now because she has
understood a ‘conversation’ (at the end of which she was
allowed to speak) means a word.

    the father’s face became red while the mother tapped her forehead!

we traced the patterns of O and C in the moon, Y the trees
we climbed, V W and M in valleys and mountains we saw,
hanging from the trees, upside down. the mountains, a few
walks away on our last birthday, appeared distant now. the
grandfather explained the phenomenon to our growing tall.

                          we settled down to writing when my twin rhymed
           flower with shower. I wrote ‘a smiling flower in the
                          rain shower.’ we tried to bring in even ‘power.’ Then
           we discovered the dictionary and began replacing
                         ‘condition’ with ‘predicament’

the rhyming became inexpedient as meanings socialized

those un-publishable poems and experiential meanings had a joy lost to us like those years in the years we have grown up to understand what it is
                   and that my twin never was nor will be

Translated by
Home sickness

Home sickness

Shelly Bhoil

These ballerinas,
the migratory birds
lift their toes
unfolding feathers
in harmony
to perform the sky dance
and exit the horizon
leaving behind empty-nes(t)s
echoing with joyous, envious
songs of home and return
for this solitary immigrant
whose path is chartered on
a seamless ocean
of individual drops

In the sprawling waves
of loneliness and longing
I drift between things banal
tv, tea, smokes and car
to the corner street
where someone's soot-clad feet
comfortably dislodged
from a card box home
shatter my ballerina romance

for I realize-
home sickness is a luxury
unavailable to the homeless!

Translated by


Shelly Bhoil

That's right, I carry
between my legs
a bag with a napkin
soaked in blood.

Wait, haven't I been carrying
in me a fountain
of blood since the first mother
ever came on earth?

Indeed, I am, oh goodness,
an enduring river of blood
flowing in your veins
from my uterus urn!

And you! Where do you drain off
your mothers' blood each time
you carry your bloodless body
to the exclusive shrine of your mind?

Translated by
Home sickness


Yogesh Joshi

Let’s go then
We shall erect a bridge
So what, if there is no river?
If we build a bridge
it is possible
that the river may arrive
in our hamlet.

Who said
that a river starts from a mountain?
In our village
it may come from the sea.

The sky and the sea
are equally close like us.
It is true,
that the birds do not have
a affiliation to their nest
as is with the sky.

By now I can see
fish and scallops and conch-shells
in the mirages.

What do you think of the mirages?
Diving in them
from their bottoms
one can bring pearls also.

If one genuinely wants
to drown
it can be done within igneous rcok.
One can sow something in the wind.
Just with a drop of water
many a rock can be splintered.

Do you want to come? Speak up.
Let’s go then
to raise a bridge.

Translated by Dileep Jhaveri from Gujarati


Yogesh Joshi

In the end
I long to be planted
in this desert.

Between two tall ridges
I am sitting
like Mount Olympus
I whisper a little
in the ears of the wind
and in next to no time
scading sand
starts pouring down
on my head...

From all the four sides
sprinting ardently
streams down
scorching sand
on my head...

Now chest-deep
Now neck-deep
Now head-deep
Now I am under the mound...

above me
taller than the mountains
sandbanks after sandbanks
sandbacks after sandbanks
moving like surf
with the speed of a snail...

The mounds
above me
keep on rising...
and from my underneath
ascends lava higher and higher...

And still
even now
it is not possible
to be planted
to be intered
or to be burnt down?!


રોપાઈ જવા
ઝંખું છું હું
આ રણમાં.
બે ઊંચા
ઢૂવાઓ વચ્ચે
બેઠો છું હું
મેરુ ની જેમ.
પવનના કાનમાં
કશુંક કહું છું
કે તરત
બળબળતી રેત
ઠલવાવા લાગે છે
મારા શિર પર...
ચારે બાજુથી
ઉમળકાભેર ધસી આવીને
ઠલવાતી રહે છે
ગરમલાહ્ય રેત
મારા શિર પર..
હવે છાતી સુધી રેત
હવે ગળા સુધી રેત..
હવે હું
ઢૂવાની નીચે...
મારી ઉપર
ઊંચા ઊંચા પહાડ જેવડા
ગોકળગાયની ગતિએ
મોજાંઓની જેમ વહેતાં..
વધુ ને વધુ
ઊંચા ને ઊંચા થતા જાય છે
મારી ઉપરના ઢૂવા..
ને મારા તળિયેથી
ઉપર ઊઠતો જાય છે લાવા..
કેમ હજીયે
નથી તો રોપાઈ શકાતું
નથી તો દટાઈ શકાતું
કે નથી તો બળી જઈ શકાતું?!

Translated by Dileep Jhaveri from Gujarati

Love You a Pound

Song Huiyuan

Four tenths cooked rice, three tenths vegetables,
two tenths beans, one tenth meat
is my unvarying life.

Domestic life, fully itemized.
I love you, too, up to a pound.

One tenth kindness and scorn,
two tenths getting together and breaking up,
three tenths not giving up, still leaves four tenths.
I am writing you a lyric poem.

Nothing compares to these four tenths,
I use four tenths to win me a fair lady.

Copyright: Journal of 21st Century Chinese Poetry, ISSN 2166-3688

Translated by Meifu Wang and Michael Soper from Chinese


Rong Rong

A man and a woman—
it's like a traffic accident
between an old car and an even older car.
The old street had been rerouted,
so they met at the new freeway exchange one day.
During a traffic jam, they collided
— he and she —
like two vehicles.

The promises were the first to be broken,
but lies will live another day
with growing disappointments.
The sky looks shattered through the windshield,
and dealing with loss will devour half of the spring.
In the dark, secrets and pangs of desire
all come to the fore, again and again.
Who knows how to navigate the maze of traffic rules?

It hurts because of the commitment,
but once again it proves the weakness of the human will.
After one bloody injury: from the nerve ends to the brain,
even the flesh contracted anxiety disorder.
Speeding, red lights, one-way streets, traffic tickets—
a love affair has become a mad maneuver—
no ambulance but time can come to their rescue.

They are two survivors.
Can he realign?
Can she be less suspicious of the car's reliability?
She has become the most careful driver,
worried about wrecking her second-hand car.

Copyright: Journal of 21st Century Chinese Poetry, ISSN 2166-3688

Translated by Meifu Wang and Michael Soper from Chinese


Meng Ye

She knows in November my eyes
will gain a little more depth.
She comes to see me then.

Every year when November comes, she grows a little uneasy.
She knows my eyes on such days
will have a deeper shade.

In November, the sky is almost empty, few birds are overhead.
I know on such days, eyes gains a little more depth,
not just mine but everyone else’s.
”Let me have a look at you? ” She holds my face up.
It’s as if a big bird, beating its wings, is diving into
the deep pool of my eyes.

“Is it a bird?”
I can’t really tell,
but I feel that it reaches very deep.

She always looks at me so quietly. She must be able to see
I become a little more shriveled every year…

Copyright: Journal of 21st Century Chinese Poetry, ISSN 2166-3688

Translated by Meifu Wang and Michael Soper from Chinese

Wednesday Afternoon Tea

Liu Yali

Wednesday afternoon,
I drank four cups of tea
and dozed off three times.
It is called Spring Blossom green tea;
it tastes a little bitter.
Wednesday afternoons, I join colleagues
around a round table to drink tea.

Tea does not detoxicate,
or purify the mind;
Spring Blossom Tea is kept in a tea-tin,
until it loses all human touch.
It is served at every single weekly meeting,
meetings so serious they resemble
newspaper text ‘set solid’.

Wednesday afternoons
are not tile-roof, paper-window afternoons.
They are not clear-spring, pottery-and-china afternoons.
I join my colleagues in a cup of strong tea.
We drink alone, in the meeting room,
and become a flock of wooden chickens.

Copyright: Journal of 21st Century Chinese Poetry, ISSN 2166-3688

Translated by Meifu Wang and Michael Soper from Chinese

Tree Rings

Li Zhuang

The ripples inside the tree
grow and spread,
but no one saw the perpetrator who cast the stone
to create them.

Under the tree, one heard cicadas and rain;
a dog wandered by and lifted his hind leg;
lovers embraced, parting four lips;
but the thunderclap didn't break the trunk,
though a rumble was heard...

What a tender heart it has,
as if made by a heavenly touch!
Let's lay a needle on its groove
to feel, to hear
time’s recording

Copyright: Journal of 21st Century Chinese Poetry, ISSN 2166-3688

Translated by Meifu Wang and Michael Soper from Chinese

Short Journal Entries (Excerpts)

Li Zhiyong

April 22

In the park, at the town square,
wherever there is a fountain, a giant whale is trapped beneath it.
There she is, in the dark, unable to move for many years,
When she breathes and shoots out a spout,
what a marvel to see. The giant whale is a small world by herself,
no cries, perhaps no suffering, either.
We stroll leisurely over her back;
as she blows, we revel at the beauty of the fountain
and gradually forget about her.

Copyright: Journal of 21st Century Chinese Poetry, ISSN 2166-3688

Translated by Meifu Wang and Michael Soper from Chinese

Peaceful Avenue

Li Longnian

I always feel that fish
probably swim up the avenues, to the trees.
I catch in the air
the exhalations of shellfish
and the silver streaks of scabbard fish.
Their palpi touch the leaves
so they secrete tiny green bubbles.

An avenue of graceful trees.
I guess it has to do with sea fish.
The trees twist and twirl, like fish.
In fact, they breathe
through the trees’ leafy lungs,
nestling up to them carefully,
this way they feel the air's pulse
and delicate ripples.

I am thrilled to discover this secret:
With regard to the word “graceful”,
the ocean has enchanting explanations.
They are encoded
in the pure radiance of women’s eyes.

Copyright: Journal of 21st Century Chinese Poetry, ISSN 2166-3688

Translated by Meifu Wang and Michael Soper from Chinese

A Petite Flower in Ta'er Monastery

Hu Yonggang

In the low ground, even lower, I saw a petite flower.
Its head comes out of dense grass, quietly approaching the sunlight,

and its golden tendrils, resting on the leaves, dazzle in the sun.
It bends menially in the wind as if a pilgrim is giving greetings.

It has a dream unknown to all, hidden under tall grasses,
but each time a wind blows by, the little flower sees its innermost self.

Walking by the petite flower, I feel curiously calm.
Dewdrops moisten my garment, my inner emptiness and loneliness.

Afar, a prayer in the snow sways his praying wheel,
then prostrates lower than the flower, like the wild grass on the plateau.

In this vermillion monastery, flowers are the most touching sight,
and no passage in the sutra is more vivid than the mutual dependence of two hearts.
Copyright: Journal of 21st Century Chinese Poetry, ISSN 2166-3688

Translated by Meifu Wang and Michael Soper from Chinese

Cracked Looking-Glass of A Servant

Philip Cummings

Fathers and sons under cars,
the world upside down,
experience being passed on
from generation to generation,
a smell of burnt rubber,
a close crampedness that isn’t
– completely – uncomfortable.

A son and a father under a car,
a smell of burnt rubber,
but this is Belfast in the seventies,
I am screaming
and, down the road from us,
bullets are being exchanged as freely as opinions:
an upside-down world.

Translated by Poet from Irish to English


Doireann Ni Ghriofa

No slender thread,
no telephone cord
binds us anymore.
Now that our computers call each other,
I can’t
press your voice to my ear.
No longer can I hear you breathe. Now, we are bound only
by a weak connection
and we break up
and break up
and break up.

Translated by Poet from Irish to English

Break, Break, Break

Alfred Tennyson

Break, break, break,
On thy cold gray stones, O Sea!
And I would that my tongue could utter
The thoughts that arise in me.

O, well for the fisherman's boy,
That he shouts with his sister at play!
O, well for the sailor lad,
That he sings in his boat on the bay!

And the stately ships go on
To their haven under the hill;
But O for the touch of a vanish'd hand,
And the sound of a voice that is still!

Break, break, break
At the foot of thy crags, O Sea!
But the tender grace of a day that is dead
Will never come back to me.

Translated by


Pratishtha Pandya

what is the speed at which sorrow travels?
what is the velocity of a sigh?
if i were to shed a tear
for you this morning
will it reach you by tonight?
Would you be able to spot it
in your night sky
burning up as it enters
leaving a dust trail of emotions
Will it be moist to your touch
hide a scent of my sorrow
the shade of my memories
the incandescent pain
for your loss
the agony of lives
lived far apart?


શું હશે ઉદ્વેગની ગતિ?
કેટલા વેગે આગળ વધતો હશે નિસાસો?
ધાર કે હું એક આંસુ સારું
આજ સવારે તારા સાટું
તો શું મળશે તને રાત સુધીમાં?
જોઈ શકીશ તું નરી આંખે ઉલ્કાઓને
જ્વાળાઓમાં ઘેરાતી પ્રવેશતી
તારી રાતના આકાશમાં
લઈ આંદોલનોના  તેજ લિસોટા
અનુભવી શકીશ તું એના ભીના સ્પર્શને
એમાં સંતાયેલા મારા દર્દની સુવાસને
મારી યાદોની ઝાંયને
તેં જે ખોયું એ માટેની
મારી પ્રજ્વલિત વેદનાને
ખોવાઈ ગયેલી
વહેરાઈ ગયેલી
અસહ્ય પીડને?
--પ્રતિષ્ઠા પંડ્યા

Translated by the Poet from Gujarati
Love song of my own

Stepping Beyond Fifty-two*

Saroop Dhruv

What if hair have turned gray
and I have entered vanapravesh**.
still frisky is the insider
the child it is forever.

One changes at prodding one’s tongue, hair and dress
yet someone within may say fearfully: change is ruinous!
(But….you know, how it is with me….?)

Soon as eyes opened the yard was pearly wet
to- day I vowed that the past gone by…. was void.

It is not as if so far
all said – seen was void
but today the wish arose
to understand the folk.

Mapped a path, took to it, from the land veered
left behind the shade, burnt the noon overhead.

Took the path of poetry, this lonely poetess did
was welcomed warmly but then later on expelled.
Noted daily life’s shows so many with a lonesome pen
to find how to overcome the search in earnest began.

Took off alone to battle
but felt so incapable.
Yet could take on the world
when language became my arsenal.
Took up cudgel, found a companion
stepped off together to take on mankind.

Carried in scabbards diction
and wore the shields of song
the hue kasumbal*** ran down the mien
such was the battlefield passion.

Entered the root fray, and saw people fight
stalwart spoke up, and some even perished.
So many of the devoted have cautioned me and beckoned
showed the path and departed, domain is now so illumined.

To those who had given
for half a century light
the only wish I have now is
lovingly to recompense.

The frog-princess named Aspiration, in pride so bloated
let her fret in desperation, I have ordered her deported.

On entering public life
matter criticism and omen?
The mind sprinting shouts
“Stop me if you can!”

There it is going, beyond fifty-two’s domain it goes,
aim now at fifty-three, burn I now all disguise.

* Age; and the number of cards in a pack
**Age (50) at which Hindus are supposed to withdraw from the householder
***Saffron colour derived from a plant, significator of the passion to fight.

Translated by Pradip Khandwalla from Gujarati


Ramesh Parekh

The tree askes its leaf 'Why?'
Why did you doubt that you are not mine?'

The leaf asks back
'When my name is leaf
Why is your name tree?
Why is there this barrier
Of branches between you and me?’

The tree said
‘I am sheltering your tender greenness
And that is all I know’
The leaf said
‘I want to reach the sky
And why are you fettering me?’
The tree said
'It is the love of earth
That binds us with all,
And not even a hint of separation
Should affect you, snap you
That is what I call my love for you'

Translated by Dileep Jhaveri from Gujarati

Here you will find English translations of poems written in Gujarati –poems that will compare well with some of the best in the world.

Gujarat is a state in India, and its language, Gujarati, is spoken by about 50 million people world-wide. Gujarati has a poetic tradition of seven centuries. The subjects of Medieval Gujarati poetry were largely religion and mysticism. Social reform and national awakening were themes for the nineteenth century. If compassion for the downtrodden was reflected in the early twentieth century, in later years poetry strived for beauty for beauty's sake. The Modern poet was disillusioned with city life if not distraught.

Gujarati Poetry is rich in variety - the long narrative poem, the devotional song, the lovey-dovey ghazal, sonnets and haikus, couplets, the prose poem ...

Read on. Allow us to amaze you.